This week on Sinica: China makes an about-face on Libya, we discuss a recent controversy in Beijing's arts community over independent filmmaker Zhao Liang, and get an on-the-ground update on the state of China's South-North Water Diversion Project: a little-publicized infrastructure effort that already dwarfs the Three Gorges Dam in both its human and environmental impact.
And we're lucky to have an incredible line-up of guests. Joining Kaiser Kuo in our studio this week is Ed Wong from the New York Times, whose
recent profile of independent filmmaker Zhao Liang sets the stage for our discussion today.
Kathleen McLaughlin from the Global Post is also here, fresh back in Beijing from a trip to Shaanxi to
investigate the state of China's plans to
redirect southern water to the country's parched north. We are also lucky to be joined by Sinica-stalwart Will Moss of
Imagethief fame.
This week's recommendations from the host and guests of the Sinica podcast:
Kathleen recommends animal rights
charity Animal Asia.
Ed recommends his favorite Zhao Liang films
Crime and Punishment (
Zuì Yǔ Fá) and
Petition (
Shàng Fǎng) as well as Jia Zhangke's documentary
Still Life (
Sǎn Xiá Hǎo Rén).
Will recommends Guardian Asia environment correspondent and
former Sinica guest
Jonathan Watts' book on environmental impact, policy, and realities in China
When A Billion Chinese Jump.
Kaiser "recommends" with caveats Sir Edmund Trelawney Backhouse's China memoir
Décadence Mandchoue and recommends sincerely Hugh Trevor-Roper's biography of Edmund Backhouse,
The Hermit of Peking.
Finally, for an interesting take on "filming a filmmaker," check out visual journalist
Jonah Kessel's account of filming Zhao Liang for Ed's
New York Times profile
here.
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