Classical pianist Glenn Gould, the most improbable sex symbol in Canadian music history, set the world ablaze in the 1960s and 1970s with his emotional reinterpretations of Bach's keyboard repertoire. But what really distinguishes Gould from his contemporaries is the sheer volume of experimental recordings he bequeathed the Canadian Broadcasting Corporation on his death, recordings made at home during his final years in recluse and only now available to the public for the first time....

Note to Listeners: we tried to keep this show focused on classical music, but then Grace kept mentioning how much she doesn't like Taylor Swift, and David felt forced to wave his populist flag, and that is how our podcast descended into nonsense shortly after our two hosts offhandedly diagnosed the vast majority of the Chinese population with obsessive compulsive disorder.